I’ve recently discovered Tomorrow Museum, which helpfully describes itself “collection of images and speculative essays exploring how technology, science, and economics are affecting the fine arts” (helpful, as I find succinct definition entirely beyond me tonight). It is deeply interesting and engrossing, and so far every link is worth following. The most recent post, Caring for Your Online Introvert, especially resonates with me.

Project Gutenberg and Google Books are excellent resources for plenty of free books, but I recently found the Chawton House Library collection of early women’s writing, which features rare and little-known works “which explore such broad-ranging themes as satire, slavery, marriage, witchcraft and piracy [and] signal the rich texture and innovative character of women’s writing in the period 1600 to 1830″. I’m enjoying the preface to Romance Readers and Romance Writers: a Satirical Novel, in which the author gleefully exposes some of the awful writing in romances she dislikes.

Music

The Headphone Commute podcast (here’s the FeedBurner link) has been supplying me with sound for some months. My particular favourites are Intelligent Breakcore, Ruckspin – Ranking Studio mix, and Bop – Micromixes. If you are at all inquisitive about “electronica, glitch, idm, drum’n’bass, breakcore, dubstep, trip-hop, modern classical, post-rock, shoegaze, ambient, downtempo, experimental, abstract, minimal and everything in between” (thank you, about page) you should try one or more of these mixes.

90 metres and 34g of 3-ply Masham yarn, chain-plied on a 34g Bosworth midi spindle.

Truth be told, although I have not lost my love of creating, my creations have not been working out very well lately. I think I am doomed to never be happy with something until I have knit it twice. This applies doubly to anything that I design myself, though I follow the advice of my design books with zeal and measure everything three times. The mistakes seem so obvious with hindsight, as mistakes are wont to seem. As such, I have a growing pile of things-to-be-unravelled. The silver lining in this paragraph of gloom is that knitting practically invites unravelling, and no harm is done (save to my knitter’s confidence, of course).

I’m playing it safe at the moment; I’m only slightly (ha!) modifying someone else’s design. It’s Fay by Kim Hargreaves, and although I’ve changed the yarn and the stitch pattern and therefore the stitch count and I’m not sure it’s the right size and I’m a little concerned that the waist shaping may turn out to be too severe… despite all that, I’m hopeful that it will all turn out well and that I won’t have to add this one to the pile, too.

All the project details are here (the link should be viewable by everyone). It’s a lovely pattern, well-written and, being modular, is completely customizable (not to mention the choice of two edgings).

I bought a whole pack of this yarn – Rowan 4 ply soft, now discontinued – and have been thinking of what to do with the remaining 7.5 balls. It’s just about the right temperature for a fingering weight wool cardigan (no jumpers; I get too hot in them unless it’s deep winter) so I’ve been dutifully making swatches of stitch patterns. For a while I got really stuck on lace patterns, but then I saw the second photo in this post from The Sartorialist and was immediately drawn to the garter stitch/stocking stitch diamonds on the gentleman’s jumper. So far, I envision a raglan-sleeved cardigan with a deep v-neck and (possibly?) short sleeves. Watch this space!

Where I live it’s getting darker, colder and snowier—just the setting for curling up with a book and a hot drink. The brains behind the advertisements for Carte Noire (an instant coffee, two words which should never exist in the same sentence) think so too. They’ve got Dominic West, Greg Wise and Dan Stevens to sit and read book extracts of ten to fifteen minutes in length. If you can ignore the occasional soft-focus shots of coffee mugs and focus on a) the wonderful prose and b) the lovely men reading them, I think you’ll enjoy these little videos. I know I did. Here is the link; I recommend Dominic West’s reading of a certain infamous scene from Pride and Prejudice in particular.

But, all this industriousness aside, I promised a finished knit, so here is my version of Kelmscott.

Kelmscott by Carol Sunday
I used 5.5 balls of Cascade 220 in Silver Gray and 4.5mm needles.
My Ravelry project page

This is a perfect cardigan. I saw it in the Winter 2009 issue of Twist Collective and knew I had to make it as soon as possible. I knew I should consider the matter sanely, and did so for about five seconds before buying the pattern and moving swiftly on to yarn selection. The pattern calls for a light worsted weight angora/merino yarn, but it’s not available in the UK and I find angora too hot and ticklish. I swatched and settled for an old stalwart: Cascade 220, which I knew would make a warm, cosy garment that would also last.

I lengthened the body and sleeves to suit my longer torso, and added an extra button. I also worked a simple crocheted buttonband instead of the loops in the pattern as written (I tried them, but they gaped too much, and my covered buttons looked “blobular” according to a sibling). The lace on the collar and fronts involves patterning on both sides, which requires concentration, but since much of the rest is reverse stocking stitch, there was plenty of mindless knitting.

The result is everything I’d hoped for: warm and cosy but elegant and stylish. It’s great for the season, especially the chilly evenings we’ve been having, and I have no problem with outfit selection because I don’t really want to wear anything else! It’s a worthy addition to my newly minimised wardrobe.

It’s official: I love spinning. The great thing about using a spindle is that it’s so portable; it takes up hardly any space so it’s okay to stop right in the middle of something, shove it in a bag, and forget about it for a while. If I had a wheel… but let’s not go there. I once thought I would never spin, so I won’t be making any resolutions about not-owning-a-wheel lest I be proved completely wrong again.

The purple-grey merino (from The Thylacine, in the Kinvarra Estate colourway) above is half spun up, and I’ve been making little doll-sized jumpers with the resulting yarn (photos soon). I may use the other half for something for myself, but we’ll wait and see.

At the moment, I’m spinning another braid of fibre from the November instalment of The Thylacine’s fibre club. (My birthday was a few weeks ago and I decided it would make an ideal present, since the gift goes on for several months and there’s an element of surprise in the type of fibre and the colours.) It’s Wensleydale, which is a lustrous long-stapled wool with some similarities to mohair. The browns, oranges, golds and dull grey-blue remind me strongly of autumn leaves against autumn skies – or at least, the autumn skies here in England! I’m still not quite used to the early evenings and chilly weather, although they’re a knitter’s delight.

I hardly know what I’ll make with it eventually, but then that’s not really the point, is it?

Other than that, if you have a few minutes to spare today I’d highly recommend watching the video of Alexander McQueen’s Spring 2010 Ready To Wear collection, entitled “Plato’s Atlantis” (and I love that this is meant to be “ready to wear”! Ha!). It’s beautiful, bizarre, weird, terrifying (in that I was scared for the models in those fantastic shoes) and wonderfully inspirational. There are cameras on robotic arms, too – what’s not to like?

I tend to keep a close eye on the world of the catwalk, and while there are many things to dislike about that world, there are some designers who make outfits that are more art than clothing. I hope we never lose that. McQueen is among my favourites, but I’d put Gareth Pugh, John Galliano and Christian Lacroix at the top of the list.

Witness the results (both are works in progress, but both are well on the way towards completion!):

Aeolian shawlette, just pinned out to dry.

Some of my handspun being knitted into a doll-sized cardigan.

I have pattern writing that I’ve been putting off by the simple expedient of designing more knitwear, some of which is going well (we will not speak of the hat that I have now started five times). I’m enthusiastic about using beads, and I’m making a simple yoked cardigan with what I hope will be a scattered necklace effect around the collar.

The yarn is Wensleydale Longwool which I bought at iKnit some while ago. I’ve found it hard to match to a pattern, and this is my third and happiest attempt. The yarn has a definite halo, which when combined with the dark grey colour, means that it really doesn’t look at its best in a complicated pattern. I’m keeping it very simple, therefore, with some neat twisted ribbing and smooth stocking stitch. The beads will do all the talking. (I hope. I wouldn’t be surprised if I ended up having to do some unravelling, given my recent track record…)

I once read that buying a book is like a promise to yourself: a promise of making the time to one day sit down and read it. I think the same goes for crafting materials, don’t you? In that spirit, I bought several hundred grams of grey merino top a while ago, and I am really looking forward to the day when I sit down, open the bag, pull off a big chunk and start to spin it.

I believe the correct expression is OM NOM NOM NOM.

The above image is of a rather wet cotton jumper, knitted from a 1940s pattern contained in the excellent book, A Stitch In Time, Vol 1. I offer it up as proof of my continued existence, as things have been rather quiet around here lately. I hope to get back up to speed soon!