I’m going through the initial stages of designing something. As is evidenced by the photos above, this involves trying out stitch patterns, reading up on good design practice, and a fair bit of maths. The process is slightly hampered by the fact that I’m resting a sore arm and am therefore not doing any knitting, but I can at least crunch some numbers while I’m waiting. My graph paper notebook is my best friend. (I have three, and have managed to start them all, which is fairly normal for me. I have a slight notebook obsession.)

No knitting means more reading, because I’ve not yet worked out how to read and knit at the same time – unless it’s an ebook. Theoretically, I am being firm with myself as regards books. No new books will pass the threshold until I have read and/or gotten rid of some (preferably both!). I’ve gathered together a pile of historical non-fiction with the intent of blitzing through it in a few months, although I don’t think I’ll be donating any of these. (My other slight obsessions are the 18th and early 19th centuries, and the books shown below are, thus far, very good indeed.)

At the moment I’m reading Harriette Wilson’s Memoirs, which is, apart from the lengthy introduction, entirely in the lady’s own words. She wrote and sold the memoirs in her middle age when in need of money. Before doing so she wrote to all her lovers, offering to refrain from mentioning them if they’d pay her £200, to which the Duke of Wellington famously replied “Publish and be damned!”. The book must, by necessity, be read with a rather large pinch of salt, but it’s an entertaining and fascinating insight into the everyday (and not-so-everyday!) goings-on of Regency life.

Thanks very much to everyone who commented on my previous post! Those three projects are high in my list of favourites – they’re very wearable and go with almost all my other clothes.

On that note, I have to confess to not wearing some of my older projects as much as I thought I would. It’s “eyes bigger than belly” syndrome, I suppose: one sees something and decides one must have it, but doesn’t really think hard enough about yarn/pattern choice and although the finished item is fine, it gets relegated to the back of the drawer for eternity. I hate waste and I’m trying to be very conscious about what will genuinely suit me, and what is just a case of “ooh! Pretty!”. With that in mind, I have unravelled Garland, having very nearly finished it some weeks ago. I tried it on once and realised I’d made an error in judgement. No matter, though! I’ve ditched it without any regrets and am working on the Somerset cardigan from Neoknits, albeit with a few little modifications (I’m making it a bit longer, for starters – oh, and in a different weight of yarn, and with longer sleeves! In for a penny…).

I seem to be unable to keep from modifying patterns these days, and so it may seem like a natural progression that I’m dipping my toes into the pool (ocean?) that is designing. I posted a little preview of this just before Christmas, but now I’ve written up the pattern and can share it with everyone without fear of spoiling the recipient.

Change-ringing scarf: Plain Bob Minor

This is a cabled scarf (a very cabled scarf!) which depicts the change-ringing method known as Plain Bob Minor. I will rely upon wikipedia to explain change-ringing better than I ever could:

Change ringing is the art of ringing a set of tuned bells in a series of mathematical patterns called “changes”.

These methods are often presented in the form of charts (you can see the chart for Plain Bob Minor here) which just beg to be turned into cable patterns. The scarf uses DK weight (or greater) yarn and for mine, which ended up as 66″ long, I used about 500 yards.

The pattern is free, and you can either go and see it on Ravelry if you have an account, or you can use the above button to download the PDF, which includes both charted and written instructions.

I’m already planning my next design, which will be a little more involved, in that so far it seems to be a cardigan, but without any cables (bliss!). I am swatching and reading Sweater Design in Plain English while waiting for some needles to arrive. It’s a good life.

What the title says. :)

Tangled Yoke cardigan

I wear this all the time. It’s hard-wearing and very warm – the yarn is not perfectly soft and slightly tickles bare arms, but it doesn’t make me uncomfortable. The pattern was simple with just a few fiddly moments at the yoke. If I made it again I’d change the garter rib (which isn’t at all stretchy) to a plain 2×2 rib.
Pattern: Tangled Yoke cardigan by Eunny Jang (my Ravelry project page)
Yarn: Rowan Felted Tweed #159 Carbon, 7 balls
Needles: 2mm, 3.5mm and 3.75mm

Rambling Rose cardigan

This pattern comes in two sizes, 30″ and 43″. I am neither. To make it fit I had to alter the scallops at the bottom, adding stitches to the pattern repeat (in the garter stitch sections) to make it up to the required amount. I knit it as normal after that, but obviously with a higher stitch count and wider reverse-stockinette sections. I also added width to the sleeves. It was a great success and is perfect for autumn or spring weather. The yarn is as smooth and soft as you could wish, but would probably sag if you were not careful to dry/store the garment flat.
Pattern: Rambling Rose by Laura Zukaite, Interweave Knits Winter 2006 (my Ravelry project page)
Yarn: Debbie Bliss Cathay #07, just over 8 balls
Needles: 4mm

Poinsettia

Superbly soft, warm yarn. This neck warmer is as cosy as any scarf, but without the annoying bulk that makes my winter coat fit strangely. I chose this pattern because unlike many cowls, it fans out over the neck to cover the shoulders a little. It is snug and lovely. The lace is subtle and straightforward. I would make it again like a shot.
Pattern: Poinsettia by Anne Hanson (my Ravelry project page)
Yarn: ColourMart Cashmere/Wool 10/28NM Heavy DK Weight in “Scots Pine”, less than half a cone
Needles: 3.75mm

A reluctant fairy and a real fairy. The one on the left is my sister, and we show our love for her by piling tinsel on her inert form. (We were decorating the tree at the time.) The one on the right sits on top of the tree and looks demurely kitsch.

I’m crossing my fingers that the recipient of this present doesn’t read the blog, but here is the result of the pattern-writing and chart-making that I wrote about just over a month ago. There will be proper photos of this creation – and a pattern, too – once the aforementioned recipient has opened it. (I say “there will be a pattern” with some surety, because I have already written it. It needs some final polishing, and probably the chart should be written out into plain English, but it exists as a whole and not as flimsy notes written on the backs of envelopes, which is my usual MO.)

It only remains for me to say: whatever you’re doing tomorrow, and whoever you’re with (and whatever you’re eating!), I hope you enjoy it tremendously. I certainly plan to!

I won Vogue Knitting Book 35 on eBay a few weeks ago. It was a fairly quick purchase but I’d been thinking about it for a while. I love vintage knits but own very few actual patterns, which seemed silly, and this excellent post on needled reminded me that I really ought to go back to the original vintage designs if I want to understand them. So, a lucky bid later (okay, it wasn’t lucky – I planned my bid strategy like an army General) and this lovely book was mine. I believe it to be from 1949, based on their numbering system, the date on the American version, and some calculations, but I may be slightly off. I’ve posted some photos of my favourite patterns, plus my notes and thoughts, into the rest of this entry.

(It may be worth mentioning that this is the British version, and that the American one seems to differ in terms of pattern content. The cover is slightly different too.)

Cover – stocking stitch jacket Although this is knitted in the simplest of stitches, I love it. It’s nicely finished with turned hems, pockets and a flared double-thickness collar, and it would be a peach to accessorise.

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